Monday, September 26, 2011

Anne Hathaway's Cat Ears Revealed, and 6 Other Tales You'll Be Talking About Today

Happy Monday! Also in today’s edition in the Broadsheet: Putting on lower Drive’s dive… An outing using the Overacting Hall of Fame… Obama will ruin your commute (again)… An very close read of Hay Dogs… plus much more. [And clearly keep in mind you may encounter your feelings spoilers ahead.] · If society approached geopolitics concentrating on the same passion and scrutiny it's relevant to Hathaway As Catwoman’s costume at night time Dark evening Increases, you have to may have triggered a reasonable worldwide discourse to remain our disputes in Iraq and Afghanistan in the past. Anyway, here’s the costume, cat ears and many types of. I’ll leave the analysis for the professionals. [Just Jared via Pajiba] · Don’t cry for your softly undertaking Drive! Ultimately, its own distributor, FilmDistrict chief Bob Berney, sure isn’t: “Some people thought it'll did $20M the initial weekend, but they are crazy! Despite the fantastic reviews and Cannes pedigree, it’s still an ‘arts-ploitation’ film. It’s available in the new genre. It’s a genuine polarizing film in an effective way. The pacing, music, style, and violence produces heated debate and reaction. Individuals that they like it, like it and discuss it. Nevertheless it’s too extreme for a number of.” [Deadline] · The Overacting Hall of Fame is formally an issue, company, Al Pacino can be a charter member. Champion, Al! You acquired it. [Salon] · After effectively helping snarl the East Side of Manhattan throughout the other day’s fundraising event occasions, Leader Obama will proceed now to La, where some fundraiser in your own home of Blues and Fig & Olive are needed to affect traffic around Hollywood. [Variety] · A judge has overlooked a copyright suit introduced against last century Fox fighting that it's Percy Jackson series (as well as the books where it’s based) is cheated from another group of youthful-adult books based on Greek mythology. Whew. [THR Esq.] · Here’s an in depth, close read of Hay Dogs old and new: “However much we’ve resocialized males from blatant sexist norms (which we presently fetishize with Mad Males et al), still comes lower with a simple test: How will you manage with whichever branch in the Maleness Yggdrasil your ass happened to land on?” [The Awl] · While likely to India, Paris Hilton asserted that they’s been requested to star in the Bollywood film and may yet accept the purchase “if I get a full script.” Spit your coffee in the computer. [THR]

Thursday, September 22, 2011

REVIEW: De Niro, Statham and Clive Owen in a Pizza-Guy Mustache: So This is the Killer Elite?

What do you call an action movie manned by people who look as if they don’t want to be there? An inertia movie? Action movies aren’t just about action — they’re also about presence, about watching appealing or compelling personalities go about the business of kicking ass. Killer Elite features one proven action star, Jason Statham and two actors who have played fewer action roles, Robert De Niro and Clive Owen. But it’s all these actors can do to look present and accounted for. The picture, the debut feature of Irish director Gary McKendry, is rote and joyless, an exercise in disposability. It didn’t have to be that way. The idea is basic but solid enough: Special-ops guy Danny (Statham) has to rescue his kidnapped former partner and mentor, Hunter (De Niro), from the sheik who’s kidnapped him and imprisoned him in Oman. Spike (Owen), a hit man from an opposing top-secret group of former Special Air Service guys — let’s forget for a minute that they hand out business cards emblazoned with their logo — is dispatched to put the kibosh on the rescue. The premise — McKendry and Matt Sherring adapted the script from Ranulph Fiennes novel The Feather Men — at least offers plenty of opportunities to blow stuff up. But the violence in Killer Elite doesn’t register as exciting or disturbing or anything. It’s business-as-usual violence, including some not-very-interesting hand-to-hand combat, a few sequences featuring desultory use of firearms, and guys running and shouting. You don’t need good actors for that. You don’t need actors, period — why not just use avatars? If nothing else, Killer Elite proves that it doesn’t really matter who you cast if the filmmaking is just more of the same old choppily edited, noisy action crap. De Niro’s character spends most of the movie out of sight, locked up in a room somewhere. De Niro isn’t bad in the 10 or 15 minutes of screen time he’s got — he puts his crazy twinkle to good use, and he does get to fire a machine gun, which is probably a lot more fun for him than playing Pops Focker for the umpteenth time. Statham and Owen are fine, too, except neither of them can answer the movie’s essential question: Why bother? I’m not sure the best way to use these two actors is to throw them into a blur of grappling, grunting, head-bashing and attempted scissor-stabbing, which is how they first come together. As we already know from movies like Croupier, The International and Children of Men, Owen has much more to offer: He could have been an action anti-hero with soul, if only the script, and McKendry, had found a way to let it shine through. In Killer Elite, he’s just stuck wearing a pizza-guy mustache. And Statham, so wonderful in Roger Donaldson’s The Bank Job — a picture that asked more of him than just cracking heads together, though he’s at least capable of cracking heads together with elan — desperately needs to break out of the reluctant-action-hero mold he’s been locked into. I’ve lost count of how many movies require Statham to play a killer with a heart, a simple guy who just wants to retire to a luxe cabin in the woods somewhere, maybe with a nice girl. (In this particular instance, she’s played by the reasonably appealing Yvonne Strahovski.) Luckily, we don’t have to give up on Statham just yet: He’s been cast as Parker, the taciturn, weirdly principled character created by Richard Stark (a.k.a. Donald Westlake), in an upcoming adaptation directed by Taylor Hackford. Meanwhile, there’s no good reason to watch him limping along in undistinguished pictures like Killer Elite. If he’s going to kill, at least let him be killer. [Portions of this review appeared earlier, in a different form, during Movieline’s coverage of the 2011 Toronto Film Festival.]

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Monday, September 12, 2011

Watch Jim Carrey Confirm His Creepiness by Singing Radiohead's 'Creep'

When Jim Carrey released his video love letter to actress Emma Stone 72 hours ago, people referred to as it slightly creepy. The actor confused things much more when he tweeted relating to this every day later, saying "Yes, my monosodium glutamate to Emma Stone will be a comedy routine as well as the funniest part is always that everything i mentioned is tru [sic]." Well, Carrey confirmed his creepiness in one regard in the last weekend when he and also the band covered Radiohead's 'Creep,' with the Smashing Pumpkins' 'Bullet With Butterfly Wings,' at Arlene's Grocery in New You'll be able to City. (Also, Jim Carrey features a band?) Video ahead. [via Prefix] Image because of AP MORE: #fivemin-widget-blogsmith-image-486560.cke_show_edges #fivemin-widget-blogsmith-image-486560, #postcontentcontainer #fivemin-widget-blogsmith-image-486560

Sunday, September 11, 2011

'Contagion' tops weekend B.O.

'Contagion'In its domestic debut frame, Warner Bros.' epidemic ensembler "Contagion" won top B.O. honors with an estimated $23.1 million from 3,222 locations, including 254 in Imax. Pic beat Disney-DreamWorks' three-time champ "The Help," while in its fifth frame collected enough ($8.7 million) to rank second for a cume of $137.1 million.Overseas, Sony's "The Smurfs" held on the top spot for its fifth straight week, grossing $14.9 million for a cume of $321.2 million. But holdovers like "Friends with Benefits" did well, expanding to major markets. "Benefits," also from Sony, grossed a solid weekend take of $10.2 million, driven by bows in the U.K., France and Germany; pic's cume reached $29.2 million in four weeks."Contagion" opened day and date in six markets - Italy being the only major territory - with a weekend gross of $2.1 million.The Warner pic, which earned $2.3 million from Imax (or 10% of its Stateside bow), had plenty of steam going into the weekend, as most B.O. pundits expected the pic to win with a debut at around $20 million-$25 million."Contagion," toplining a topnotch cast that includes Matt Damon, Gwyneth Paltrow, Laurence Fishburne, Kate Winslet, Jude Law and Marion Cotillard, beat two other studio wide releases: Lionsgate's "Warrior" bowed below expectations with $5.6 million, while Sony's R-rated laffer "Bucky Larson: Born to Be a Star" earned a dismal $1.5 million.The frame's top two titles, both of which were co-financed by Participant Media, hooked mostly adult audiences, a boon demo for late August and post-Labor Day box office.By contrast, "Bucky Larson" was expected to skew heavily toward males under 25 (Sony didn't conduct exit polls), though "Warrior" saw a relatively even split between auds over and under 25. In fact, the latter film grossed 51% of its opening from adult moviegoers - a statistic that Lionsgate distribution topper David Spitz attributes to positive reactions from advanced screenings and good reviews."It's good to be throwing the first punch in the market place," Spitz said, referring to the usual packed fall lineup of adult-skewing pics. "The strategy all along was to establish ourselves as one of the first important fall dramas."With "Contagion," Warner exec VP and general sales manager Jeff Goldstein said he slightly underestimated the film's weekend estimate, since some auds might stay home for the 9/11 anni. (Goldstein said the film could go up by roughly $200,000 with Monday's actuals.) Contact Andrew Stewart at andrew.stewart@variety.com

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Eddie Murphy to host 2012 Academy awards

It's official! Fast-speaking comedian Eddie Murphy will compere the 2012 Oscar ceremony on 26 Feb.Confirmation originated from the show's producers Brett Ratner and Don Mischer.Don't expect the F-tanks of Beverly Hillsides Cop, though. Both producers the show will stay family-friendly."This person is at Shrek," Ratner told USA Today. "He's done family movies within the last ten years. He's done The famous host oprah.""He's very wise and knows it is greatly of the family kind of show," added Mischer."I'm enormously honoured to become listed on the truly amazing listing of past Academy Award hosts from Hope and Carson to Very, Martin and Goldberg, amongst others,Inch Murphy stated.Hathaway As Catwoman and James Franco located the 2011 show.

Wednesday, September 7, 2011

NBC Super Bowl Ad Spots Selling for approximately $3.5 Mil Each

With a decent five several weeks prior to the Super Bowl begins in Indiana on February. 5, NBC has nearly offered out all its best football inventory.our editor recommendsDick Ebersol Returns to NBC Sports as Consultant Based on Seth Winter, senior v . p . of NBC Sports Group Sales & Marketing, "literally a number of models" remain obtainable in its Super Bowl XLVI broadcast. An believed 63 in-game slots were available of those possibly as couple of as six remain. Such is the effectiveness of the marketplace that NBC is certain to smash all previous prices records for the overall game. While Fox commanded $3 million per place last year, NBC has elevated the bar up to $3.5 million a pop. "We initially set a target of $3.5 million. Which was our selling price on the market,Inch Winter stated. "But once we embarked in to the market using the Super Bowl, i was always search for larger obligations across our sports assets. We don't just sell Super Bowl positions, so based on the other buys the clients made, the ultimate cost of the individual place is really a purpose of other obligations." Each Super Bowl unit offered so far is mounted on another NBC Sports offering, Winter stated. Key among these may be the 17-day 2012 Summer time Olympic games spectacular, that will unfold working in london This summer 27-August 12. Despite fears the National football league season could be postponed or scuttled altogether, sales of NBC's Super Bowl inventory proceeded the whole time through the four-month labor dispute. Actually, two several weeks following the lockout started on March 11, NBC had already offered 1 / 2 of its Super Bowl slots. The short-moving marketplace is a recapitulation of Fox's early sell-from Super Bowl XLV. By early June 2010, Fox had already wrapped 80% of their Super Bowl business, a amazing task considering the fact that tv stations had formerly only arrived at that milestone in October--or about six days in to the National football league regular season. Then, as now, automotive dollars sparked the demand. Even though Winter rejected to recognize the clients who've already devoted to the Super Bowl, he acknowledged that NBC's broadcast is going to be just like flush with vehicle dollars as this past year's production. "You will notice exactly the same strength in auto this season that you simply did this past year," Winter stated. "I'm able to literally rely on the fingers of 1 hands the amount of vehicle marketers who won't return.Inch This past year, eight car manufacturers bought 20 in-game Super Bowl spots, comprising nearly one-third from the broadcast's total avails. Among individuals who ponied up for that exposure were Audi, BMW, Volkswagen, Chrysler, Chevrolet, Hyundai, Mercedes, and Kia. The overall game marked Mercedes' first foray into America's great secular holiday furthermore, Fox welcomed back BMW following a 10-year absence. The Steelers-Packers showdown smashed the record which are more-viewed single TV event in American history, being an average 111 million audiences updated into Fox on February. 6. With peak viewership reaching 162.9 million, over fifty percent the entire US population saw a minimum of a part of the overall game, based on Nielsen. Together with the in-game spots, NBC does well using its shoulder programming round the event. "We are very offered during the day. You may already know, you will find individuals who for reasons uknown don't buy the Super Bowl but desire to be active in the day. Individuals customers are purchasing category exclusiveness and [marquee] sponsorships within the programming prior to the overall game." Soon, NBC is basically offered from its Sunday Evening Football inventory. Packed with large draws such as the Dallas Cowboys, Gambling, and New You are able to Titans, the SNF slate begins Sept. 8 by having an NFC game between Eco-friendly Bay and New Orleans. Based on Nielsen, NBC last season averaged 21.two million audiences per SNF broadcast, which makes it probably the most-viewed package on tv. "We're extremely well offered within the regular season, even though the growing season hasn't even began yet, we've already exceeded this past year's final revenue tally," Winter stated. "That by itself should talk to the progressively healthy National football league marketplace." Related Subjects NBC Super Bowl NBC Sports

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Vin Diesel shares concept art for Riddick 3

The character of Richard B. Riddick has had a rollercoaster ride in the movies. Low-budget action horror Pitch Black made him a hit, then The Chronicles Of Riddick bombed to make him a Hollywood outcast.You can't keep a bad man down, though. And Riddick star Vin Diesel has shared concept art from what will be the third movie in the series, promising it will be as R-rated as the blood spatter here suggests."I am grateful to have Universal in such support of this complex character's journey... not many studios would back an "R" rating. Very cool," Diesel told his Facebook fans."While I was working on character, the director and his team of artists have been creating the world and style of this picture. We all know how much I enjoy concept art and storyboards. I'm like a kid in a candy shop."According to the actor the third Riddick film will begin its shoot in Canada."First stop for the Riddick production is Canada, which is where we shot a large part of Chronicles," he confirmed.